From interactivity to intra-activity in performing arts for children.

Abstract

This essay introduces dilemmas and experiences of making interactive theatre for children based on findings from the SceSam Project. This artistic research project bridged artistic practice and theoretical perspectives on interactive dramaturgies in the context of cultural politics, interdisciplinary, and participatory art. Further developments in our critical times of mass extinction and climate change, have turned our interest away from the focus on human interactions towards the intra-actions of more-than-human agents of performing arts for children: space, environments, nature, and material entanglements. The Animalium project will serve as example of how this might look like within theatre for the very young.