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Ibsen's two versions of The burial mound. A comparison of the stage directions of the two versions of the play

dc.contributor.authorGjervan, Ellen Karoline
dc.date.accessioned2018-10-15T09:52:50Z
dc.date.available2018-10-15T09:52:50Z
dc.date.issued2015
dc.identifier.citationEllen Karoline Gjervan. (2015). Ibsen's two versions of The burial mound. A comparison of the stage directions of the two versions of the play. Nordlit: Tidsskrift I Litteratur Og Kultur, (34), 253-262.nb_NO
dc.identifier.issn0809-1668
dc.identifier.urihttp://hdl.handle.net/11250/2567978
dc.description.abstractIn this article I compare and discuss the differing stage directions of the two versions of Ibsen’s play The Burial Mound. Furthermore, I explore how the variance regarding the stage directions of the two versions of the play can be explained by Ibsen’s increased theatre affinity, due to his work as stage director and stage manager at the theatre in Bergen during the early 1850s.nb_NO
dc.language.isoengnb_NO
dc.publisherUiT, Fakultet for humaniora, samfunnsvitenskap og lærernb_NO
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.subjectStage directions,nb_NO
dc.subjectIbsen as a practical man of the theatrenb_NO
dc.subjecttheatrical spacenb_NO
dc.subjectthe 1850s theatre culturenb_NO
dc.subjectDet norske Theater in Bergennb_NO
dc.titleIbsen's two versions of The burial mound. A comparison of the stage directions of the two versions of the playnb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionpublishedVersionnb_NO
dc.source.pagenumber253-262.nb_NO
dc.source.volume34nb_NO
dc.source.journalNordlitnb_NO
dc.identifier.doi10.7557/13.3371
dc.identifier.cristin1234170


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Except where otherwise noted, this item's license is described as Navngivelse 4.0 Internasjonal